Thursday, March 28, 2013

A Desert Century

Talks about Arizona's ruggedly beautiful Sonoran Desert inevitably come around to at least a mention of the magnificent Saguaro cactus, standing tall with arms raised to the blue sky.  Mention the Mojave in the arid land of southeastern California and your listener may well think of the Joshua Tree yucca.  Travelers to the Chihuahuan Desert of southwestern Texas and southern New Mexico tell of seeing Century Plants in bloom...

Century Plants are agaves and take their name from a mistaken belief that a hundred years must pass before the plant blooms once and dies.  In most parts of the Chihuahuan, a mere twenty to twenty-five years passes before a thick stalk with yellow flowers shoots skyward, rising to heights of fifteen feet or more...

Xeriscapers show a distinct fondness for Century Plants.  They require only a few inches of rain each year, can easily endure temperatures that rise above the century mark for months on end, and they live many years which means less landscape work.  Alkaline soils nurture them, making them perfect for the calcareous lands of the American Southwest.  When this succulent shrub (which usually grows to a width of between three and five feet) matures, it begins to prepare for its own demise by producing "pups", small offsets of the main basal rosette...

On a recent stroll through San Angelo, I came across a small area that had escaped the developer's bulldozer to remind passers-by that the desert was no farther away than a city limits sign.  Ephedra, lotebush, wolfberry, prickly pear dotted this parcel of untouched lots.  As I explored, I came across a stand of Agave scraba made even lovelier by an unexpected perfumeball... 





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Louis Nugent: Ghosts of Love Letters Past
 
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Fine Art America now features painting, drawings, and photographs by twenty-eight artists who celebrate majestic and uncompromising landscapes, settlements, people, plants, and flora and fauna scattered across the vast emptiness called West Texas.
http://fineartamerica.com/groups/west-texas.html

Jeniffer Stapher-Thomas: The Gift of Water
 

Fine Arts America now features  work celebrating the mysterious and lovely Bayou State of Louisiana and its unique lifestyle:
http://fineartamerica.com/groups/cajun-country-louisiana.html

 
Elaine Hodges: Raw Oysters on Ice

CREDITS
All photographs for this essay were located through Google Images or Wikipedia, without authoritative source or ownership information except as noted: all photographs by Louis Nugent

Thursday, March 21, 2013

ABE AND SOME CHUBBY GUY UNDER A TREE

"The Lord said to Abram, "Go forth from your native land and from your father's house to the land that I will show you..." Genesis 12: 1, Tanakh: The Holy Scriptures, Jewish Publication Society, Philadelphia and Jerusalem,1985

 
Humankind is a most diverse collection of bipedal primates...

One of the few truthful general statements which we can make about our species is that sexual desire appears to lack prejudice, ignoring skin pigmentation, language barriers, and a plethora of other tools we use to prove we are better than other members of our own kind...
The Aboriginal Peoples of Australia, seen here in a traditional
ceremony staged for tourists, may offer insight the earliest
beliefs and customs of modern man.  Their cultures date back
approximately 50,000 years to a time when the first people
arrived on the Australian continent-- probably as migrants
from the Indian subcontinent.

If a person has lived on multiple continents or traveled extensively on even a single one of these giant land masses, he or she may speak of strange ways and customs to be found in these other places to friends who have not journeyed so far across the earth's surface.  He or she may speak knowingly and say these odd folkways belong to a very different culture, my dear friend, from our own more civilized practices...

Culture is a concept given to us courtesy of the anthropologists and other social science specialists.  Knowledge of what this term entails is limited-- for many of us-- to practical yet ultimately superficial distinctions between ourselves and people living elsewhere... 

Tourist guidebooks may warn us not to prove ourselves uncouth by holding a fork in the wrong hand and advise us how to properly to address the man selling us tickets for the underground.  Practical persons who have traveled abroad may warn us life-threatening situations can result if certain gerunds or verbs are used in conjunction with descriptive nouns involving female relatives, especially mothers and sisters... 
Many cultures, including those of the Viking
peoples, postulate supernatural beings with
mysterious powers of transformations. These
ancient Norsemen believed Valkyries-- warrior
maidens who transported the souls of those
who died in battle to Valhalla-- could transform
themselves into swans, ravens, and wolves.
This 1893 illustration depicts three Valkyries
enjoying a bath after shedding their swan skins.

But a true wanderer knows culture involves deeper things...

An anthropologist will say that an anthropologist's job (in the words of anthropologists Carol and Melvin Ember) is to define or outline "the customary ways of thinking and behaving that are characteristic of a particular population or society."  It follows, they say, that culture is a chimera of language, general knowledge, religious beliefs, work habits, music, food and dietary preferences, taboos, and almost anything else human-- all of it pasted or sewn together in a way unique to a specifc group of people...

No anthropologist is actually content with creating a laundry list of behaviors.  He or she wishes to know why one specific group of people will find its spiritual truths in a mystical experience undergone by a desert nomad originally named Abram and another group is guided by the teachings of Prince Gautama...
The Apache people of America's Desert Southwest lived
originally in northwestern Canada, according to linguistic
evidence gathered by anthropologists.  These men are
part of a ceremonial procession photographed in the very
late 19th or early 20th Century.
 

Why is it, the anthropologist asks, that warriors in one society prize long locks and those in another take pride in almost-shaven heads?  How is it that one band of people finds public (or even private) nudity shameful and sinful while groups living elsewhere take an extremely casual attitude toward the unclad?  Some find tattoos repulsive, some decree a woman's face should be seen only by her male relatives or her husband, some isolate their young males at the onset of puberty to initiate them into adulthood with dances and tales of brave ancestors and a bloody circumcision...


My own thoughts on such differences are that geography and the size of the group have quite a lot to do with why no two societies live the same way or believe the same thing...

Let's postulate three small tribes-- one living in a semi-arid desert, a second by the sea, and the third in a temperate subtropical area blessed of rich soil and frequent rains to fill its many rivers and streams... 
Contact with superior technology can lead the less technologically
advanced culture to view visitors as possessing magical or even
godlike power.  Melanesian villagers attributed just such abilities
to Allied soldiers they encountered during World War II and built
wooden "airplanes" in hopes these "gods" would return with more
gifts in the form of food and clothing.

Our desert dwellers are limited by their environment when it comes to finding food: they have little in the way of fruits to gather from trees and any attempts to grow vegetables will likely be futile due to lack of rain.  To survive, they may become nomads who tend their own flocks of goats and sheep or hunters who follow migrating herds of antelopes and gazelles.  In either case, their homes will likely be mobile-- it's simple enough to roll up the animal skins used to make a tent and collect the poles used to hold it up when the bison move southward as the cold weather approaches...

The coastal band has a ready source of food in the form of fish and crustaceans.  Tribal members may catch crabs by the shore or build boats, going out to sea with spears and nets to harvest the waters...

Members of our lush subtropical area have multiple food source options.  They can pick berries from bushes, perhaps cultivate crops, even hunt animals living in the forests just beyond the clearing where they've erected wooden dwellings with thatched roofs...
The False Face Society of North America's
Iroquois people wore elaborate wooden
masks designed to heal sickness in those
unlucky enough to encounter malevolent
supernatural forces dwelling in the forests
surrounding their settlements.

Each environment, however, also imposes another limitation on human populations with limited technologies.  Lack of water in a desert prevents a nomadic group of shepherds from becoming too large since both humans and livestock require this often scarce resource to live.  Tribes by the ocean may dwell far from rivers with fresh water-- ergo, their populations can't exceed a number that can be supported by collected rainfall. It appears the group living in the rainy subtropical area has the greatest potential to enjoy a fairly large population since water and food are abundant...

Human technology is also limited by the world around us.  This fact isn't always obvious to those of us who live in industrialized nations fueled by international trade as we mock the "primitive" ways of "uncivilized" people.  Our own westward expansion in the United States, however, was limited for much of the 19th Century by a lack of forests in the dry grasslands in the American heartland and lack of water in the southwestern deserts...

 
The Bushmen of the Kalahari Desert in southern Africa average
about 5' in height.  A nomadic people, their culture is noted for its
music and vivid artistic style.  They live in bands of approximately
25-60 people.


People without forests can not build substantial wooden dwellings.  Those with no ready source of minerals taken from mountains will not experiment with ways to make metals more malleable and suitable for being turned into plows or swords.  And, in turn, a man who has never seen gold will have no word to name or describe the precious ore.  It will be a shiny yellow rock to him...

Without words to communicate our common knowledge or understanding of things, we humans tend towards mistrust or contempt of our fellow homo sapiens.  And the same can be said of the diversity of human religious experience. Those who weave nets to catch fish are leary of the ways of men who plow the earth for the god of a fisherman is often asked to bless his believers in ways other than those ways asked in prayers to the god of a man who patiently waits for seeds to sprout...
This Mongolian shaman, seen in a
photograph taken circa 1909, served as
the key religious figure in his society.
He was expected to go into a trance
and journey into the world of spirits
where he gained insight into how to
cure an ailing tribesman or see future
events before they unfolded in this
world.

And that, ultimately, is why some retrace the steps of Abraham and some walk the path of the Buddha.  One man left a fertile valley to cross desert sands with his flocks under a blazing sun in search of green pastures promised to him and his descendants by God and the other sought to find the Middle Way in the lush land where lived, a Middle Way balancing the madness of self-deluded ascetics and the corruption of gluttons who ate rich foods and drank wine merrily as others starved...

We are all children of the lands of our birth... 

Those of us who travel no farther than the next village will see the same thing that those who journey to distant lands see: all men seek shelter and food.  No matter where they live, fathers and mothers struggle to give their children lives no worse than their own.  Some even hope their daughters and sons will enjoy more comfort than their parents...
The Kuna of Panama and northern Colombia are noted for their
textile arts, such as this mola featuring a highly stylized cat.  The
Kuna have successfully resisted integration into the Hispanic
culture of Central America.  It is also a culture which, unlike
many, prizes albinism-- to the point that albinos are believed
to be entrusted with the duty of preventing the destruction of the
Moon during lunar eclipses. 





Perhaps the greatest miracle given to humankind by God or Nature is that we are, like it or not, one species-- a diversity that merges into unity.  Consider this: geneticists tell us that a child born 6000 to 10,000 years ago somewhere near the northwestern coasts of the Black Sea likely amazed his or her parents because of a mutation in the gene OCA2 gave this one child the first pair of blue eyes in a world filled with brown-eyed persons...




This child obviously survived to maturity and reproduced in his or her turn, becoming the common ancestor of all persons past, present, and future with blue eyes.  Should you or I have a single ancestor with blue eyes, we are ultimately distant cousins... 

In the early 1990s a group of Jewish scholars met with the Dalai
Lama and other Buddhist religious authorities to explore common
ground between the two ancient faiths.  Kamenetz later discussed
these meetings in his book, The Jew in the Lotus.  Here, he shares
a lighter moment with the Dalai Lama after giving the latter a
yarmulke-- the head covering traditionally worn by Jewish males.
 

  

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Easier still: browse the Louis R Nugent gallery at Fine Art America.  Choose from 250+ unique ideas for home and office decor or holiday and birthday cards for yourself or special someones who deserve something extraordinary.  Individual cards cost less than $5.  Wall prints from $22.
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Louis Nugent: DrinkDancePool
 
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Fine Art America now features painting, drawings, and photographs by twenty-six artists who celebrate majestic and uncompromising landscapes, settlements, people, plants, and flora and fauna scattered across the vast emptiness called West Texas.
http://fineartamerica.com/groups/west-texas.html

Karen Slagle: Chihuahua Spurs
 

Fine Arts America now features  work celebrating the mysterious and lovely Bayou State of Louisiana and its unique lifestyle:
http://fineartamerica.com/groups/cajun-country-louisiana.html

Susan Bordelon: Potions
 

CREDITS

Note: Definition of culture from Cultural Anthropology by Carol and Michael Ember (New York, 1977); information about the OCA2 gene mutation from "All blue-eyed people can be traced back to one ancestor who lived 10,000 years ago near the Black Sea" by Michael Hanlon, London Daily Mail, 01 February 2008.   All photographs for this essay were located through Google Images or Wikipedia, without authoritative source or ownership information except as noted: Poet Roger Kamenetz gives the Dalai Lama a yarmulke from neworleanssacredmusicfestival.com; Australian Aboriginal Dancers from webmetrix.com.au; Valkyries with swan skins off from The Poetic Edda by Fredrik Sanders, 1893; Apache ceremonial procession from indianspictures.blogspot.com; Cargo Cult from oddx.com; Kuna Art- Stylized Cat from brittanica.com via collection of Anne Wenzel; Bushmen from thesouthafricaguide.com; Mongolian shaman in ceremonial robes with drum, circa 1909 from twykiwdbi.blogspot.com

Thursday, March 14, 2013


On West Grape Creek Road
Reading Girl
Fender Bender on Chadbourne


 



Recent Work

Woman with blue dogs
 
 

TV Land
 

Ocotillo and Cedar
 

Girl from Guadalupe
  

THE MARKETPLACE

One easy and inexpensive way to build a collection of work by today's finest painters, sculptors, and photographers:  Greeting cards from Fine Art America. 

Easier still: browse the Louis R Nugent gallery at Fine Art America.  Choose from 250+ unique ideas for home and office decor or holiday and birthday cards for yourself or special someones who deserve something extraordinary.  Individual cards cost less than $5.  Wall prints from $22.
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Louis Nugent: Canna lily and water in San Angelo Civic League Park
 
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Fine Art America now features painting, drawings, and photographs by twenty-five artists who celebrate majestic and uncompromising landscapes, settlements, people, plants, and flora and fauna scattered across the vast emptiness called West Texas.
http://fineartamerica.com/groups/west-texas.html

Sergio Garcia Rill: Window to the galaxy
 

Fine Arts America now features  work celebrating the mysterious and lovely Bayou State of Louisiana and its unique lifestyle:
http://fineartamerica.com/groups/cajun-country-louisiana.html

Chris Bajon Jones: Mason fishing at sunset
 

CREDITS

Note: All photographs for this essay were located through Google Images or Wikipedia, without authoritative source or ownership information except as noted: all photographs by Louis R Nugent

Thursday, March 7, 2013

Women's History Month


March is Women's History Month in the United States...

It is, truth be told, a tad shameful that it's necessary to block off portions of the calendar in the year 2013 of the Common Era to salute the contributions to this nation by women, blacks, Hispanics or any other group.  But lingering vestiges of racism, sexism, political and religious prejudice are still unfortunately strong enough to justify the need to remind ourselves that all Americans are equal...

[These unfortunate remnants of discrimination trace back, at least partly, to our history in the evolutionary sense.  Early humans faced a multitude of challenges, two of which included the need to find food and the many years needed to raise young humans until they were old enough to reproduce and ensure the survival of the species.
Charles Dana Gibson: Love in a Garden (1901)

Primitive hunter-gather societies found they were far more likely to survive as a group if one sex concentrated on locating food and driving away interlopers from other tribes or bands while the other gender reared the young and maintained the living environment.  Although such gender-based roles proved useful in primitive times, they offer little or no value in today's complex society and arguably may be counter-productive to our efforts to survive as a species.]

In the United States, Women's History Month (also celebrated in March in Australia and Great Britain) lurched toward becoming a political reality in 1981 when Orrin Hatch, a conservative Republican senator from Utah, and Barbara Mikulski, a liberal Democratic representative from Maryland sponsored a Joint Congressional Resolution proclaiming Women's History Week... 
Charles Dana Gibson: The Crush (1901)

Hatch and Mikulski been inspired to do so by a weeklong celebration in a school district in Sonoma, California, commemorating the first International Women's Day on March 8, 1911. (Senator Hatch certainly must have seen true merit in the notion since IWD began as a holiday celebrated by the Socialist movement.)  By 1987, Congress expanded the well-received Women's History Week to a month long affair...

Changes in social roles and attitudes, as we know, are reflected in the commercial and popular arts of a nation...
Russell Patterson: Where There's Smoke, There's Fire (1920s)

Two of our images this week come from the pen of satirical illustrator Charles Dana Gibson.  He combined themes found in earlier popular art depictions of women (i.e., the "fragile" slender respectable lady and the "voluptuous" woman possessed of ample bosom and hips and bottom) to create a new ideal American beauty in the late 1890s and early 1900s...

Few who enjoyed "Gibson Girl" drawings recognized these well-dressed and obviously upper class lasses represented subtle changes in the social roles played by women in the wake of the Industrial Age.  They were not quite the meek and submissive beauties of Victorian times.  Nor did they need strong masculine apes with clubs to fight battles for them...
Flapper on an ocean cruise, circa 1929

Although Gibson Girls carefully avoided political discussions (and certainly would have never been so vulgar as to actually demand the right to vote), they thought it their right to work outside the home in jobs they enjoyed and they thought it their right to attend the college.  Nor were they naive innocents-- a Gibson Girl was aware of her sexuality and knew even the richest and most athletic of handsome men would act like a damn fool around her in hopes of her amused and slightly contemptuous smile if he thought it possible that smile would lead to more procreative activities...

The Gibson Girl's granddaughter was even more liberated...
Rosie the Riveter: World War II icon and heroine

She was the product of a changing America which had set itself on an inevitable course of becoming a more urban than rural society by the early 1920s.  Henry Ford's Model T (introduced in 1908 and within financial reach of most Americans) and its competitors in the automobile industry guaranteed a mobile and restless population.  Radio and silent movies labored non-stop to create a common national mass culture...

Popular magazine articles called her a "flapper" and she wore her hair bobbed and her skirts short and she guzzled Demon Bathtub Gin and smoked cigarettes and she listened to jazz and danced the night away and she didn't mind if the right young man wanted to explore what her short skirt concealed as long as he knew she wasn't about to let him go too far...
Cartoon celebrating the first anniversary of
the Navy's Women Accepted for Volunteer
Emergency Service, or WAVES program.

Despite the impressions created by our illustrations, the Flapper was more than a party girl.  She had the right to vote and she exercised it (although not quite enough to suit suffragettes who fought long and hard to give her access to the ballot box).  And, while she had no real dislike of women who chose to be housewives, the Flapper wanted to earn her own money and choose her own friends.  She also tended to be a bit more skeptical of religion and traditional moral values than her Victorian great-grandmother.  This was, after all, the Age of Freud and Darwin...

A worldwide Great Depression lowered the Flapper's skirts and the prudes who decided to clean up the motion picture industry banished her and her like from the movie studios and the silver screen until her granddaughters went to work for independent film makers in the 1960s and 1970s...
Patriotic "cheesecake" photographers never passed an opportunity
up when it came to celebrating both the beauty and courage of
American women.

That same Great Depression helped facilitate the rise of Fascist dictatorships in Europe and Asia and fueled groups with similar ambitions in the US.  The totalitarian strongmen heading those dictatorships were ambitious and hungry for territory. 

America found herself attacked and plunged into a world-wide war.  Her sons heard the call to arms, traveling over the waters of two oceans to fight on the land and on the sea and in the air.  Her daughters took the places of their brothers and husbands and sons in factories, working and prodded the government to give them more meaningful roles in the armed services...

I suspect the Gibson Girl smiled down from her heavenly reward during these dark and terrible years.  Her Flapper daughter was something else, a joyous force of nature who faced life on her own terms and refused to sit in the backseat of American life.  But, with grandkids like Rosie the Riveter and the WAACs and WAVES and their brothers ready and willing to stop genocidal tinpot tyrants, GG had done a lot more than just OK...


 
 

THE MARKETPLACE

One easy and inexpensive way to build a collection of work by today's finest painters, sculptors, and photographers:  Greeting cards from Fine Art America. 

Easier still: browse the Louis R Nugent gallery at Fine Art America.  Choose from 250+ unique ideas for home and office decor or holiday and birthday cards for yourself or special someones who deserve something extraordinary.  Individual cards cost less than $5.  Wall prints from $22.
http://louis-nugent.artistwebsites.com/

Louis Nugent: Fan Dancer
 

Follow and Like Louis R Nugent Photography on Facebook @ louisnugent22.

Fine Art America now features painting, drawings, and photographs by twenty-five artists who celebrate majestic and uncompromising landscapes, settlements, people, plants, and flora and fauna scattered across the vast emptiness called West Texas.
http://fineartamerica.com/groups/west-texas.html

Erika Weber: Law West of the Pecos
 

Fine Arts America now features  work celebrating the mysterious and lovely Bayou State of Louisiana and its unique lifestyle:
http://fineartamerica.com/groups/cajun-country-louisiana.html

Sharon Mick: Louisiana Bayou
 

CREDITS

Note: All photographs for this essay were located through Google Images or Wikipedia, without authoritative source or ownership information except as noted: 1943 WAVES First Anniversary cartoon from nav.mil