Thursday, June 27, 2013


Cults of the Literati
“He stood there alone under the white floodlight, spinning his rope around him, stepping in and out of it… Two-Gun Earl, the Terror of Cochise County.  He belonged on one of those dude ranches that are so all fired horsy that the telephone girl wears riding boots to work.”-- Raymond Chandler, The Long Goodbye, 1953


Book lovers can thank (or curse) the Thor Power Tool Company for the increased (or decreased) availability of those discounted books stacked sky-high on tables near the magazine section in their local Wal-Mart or supermarket…

Thor Power Tools began its corporate life in 1893 as the Independent Pneumatic Tool Company of Aurora, Illinois.  Company founders included Chicago mayor John Hopkins.  The business produced jackhammers and bicycles.  By the 1970s, the firm had long since changed its name but it continued to manufacture tools that were assembled from component parts also produced by Thor…

Advertisement for the Thor Power Tool
Company whose accounting practices
triggered a lawsuit that affected the sale
of a publisher's excess inventory
When Thor’s inventory of component parts exceeded its actual production needs, the company “wrote down” the excess, treating it as an accounting loss.  Its management felt that since this was an accepted business practice, Thor’s tax liabilities ought to be calculated in similar fashion…

IRS auditors disagreed.  Tax law provided goods can be written down only if one of two conditions is met: these items are either defective in some way or the manufacturer demonstrates the goods have a fair market value less than the cost of producing them.  The courts agreed with the IRS:  there was nothing unconstitutional about the statute per se and Thor failed to meet the burden of proof…

Essentially a landmark 1979 Supreme Court decision (Thor Power Tool Company v Commissioner of Internal Revenue) held that manufacturers may not write down their inventories for taxation purposes simply because they are not selling what they have produced…

How this affects bibliophiles comes down to how it affects remaindering, a practice in the book trade...

Publishers routinely print far more copies of books and magazines than are sold.  This results in an inventory of dubious value in the marketplace.  Rather than take a complete loss, many publishers opt to sell their excess stock to a mass marketer at a greatly reduced rate-- a hardback originally commanding $20 in a bookstore may be resold to a general merchandise retail chain for $1 a copy.  The retailer slaps a $5 tag on the book, stacks it on a table, and will generally sell enough copies to make a small profit on his initial investment…

Gina McKinnon's guide to "cult books"
titles as diverse as Stranger in a Strange Land,
The Long Goodbye and Hollywood Babylon
The decision in Thor Power Tool has encouraged publishers to remainder books much earlier than they would have done prior to 1979.  It has also, sadly, encouraged others to simply take the loss and destroy excess stock…
I recently came across one of those tables stacked with books when I stopped into the local shop of a mass marketer who sells everything from milk to power tools to T-shirts to large print crossword puzzle magazines.  One of the titles caught both my eye and $4.97 worth of a spare $5 bill in my wallet…

A bibliophile named Gina McKinnon had put together a work she called 500 Essential Cult Books: The Ultimate Guide (Sterling, New York, 2010) in association with a chap named Steve Holland.  Ms McKinnon wanted to explore those books which inspire a devoted following among readers, the sort of novel or nonfiction treatise that “has to be” in someone’s home library…

Cult books may become bestsellers, Gina McKinnon believes, but they are often titles with only modest sales over a period of many years.  The essence of a cult book is that it becomes a central part of the intellectual and emotional life of its devotee in much the same way that a musician or rock band gains die-hard fans because they “get it” as far as their listeners are concerned…

McKinnon’s selection is a grab bag of the human experience.  We find biographies of jazz musician Charles Mingus, musings on archetypal images from the psychologist Carl Jung, unabashed and unashamed erotic tales, warnings about the reach of the totalitarian state and novels favored by rebellious adolescents in search of a Cause…
Sylvia Kristel and Nicholas Clay star in a 1981 screen adaptation
of D H Lawrence's Lady Chatterley's Lover.  The controversial
1928 publication tells the story of Constance Chatterley,
trapped in a loveless marriage to an impotent cripple, and her
sexual awakening through an affair with a groundskeeper.  It
was the first novel by a mainstream author to use the "F"
word.
 

Robert Heinlein’s Stranger in a Strange Land is one of these 500 titles.  First published in 1961, it takes its title from a Biblical passage about the naming of the prophet Moses’ son (Exodus 2:22) and was inspired by a suggestion from Heinlein’s wife that he rework Rudyard Kipling’s The Jungle Book wherein we have a human child raised by invisible Martians on Mars rather than by wild animals in India…

Heinlein’s novel enjoyed about as much commercial success as can be expected in the science-fiction genre and became of that field’s all-time bestsellers.  Valentine Michael Smith, the story’s protagonist, is the orphaned son of a member of the first human expedition to Mars and that expedition’s sole survivor.  He is raised by Martians who both grok (an empathetic state where an observer becomes part of what is observed) and possess psychokinetic abilities…

First Edition cover for Robert Heinlein's
Stranger in a Strange Land (1961)
 
After twenty Earth years pass, a second expedition to Mars finds Smith and brings him to the planet of his biological ancestors.  But Smith has no idea of human experience.  His knowledge of Martian technology that allows for interstellar travel at a very low cost spawn international intrigue while his apparently supernatural powers bring followers who turn him into a messiah who must ultimately die a savage and gruesome death…

Stranger is a book of ideas, a challenge to puritanical folkways, that likely would have had little success in the late 1940s when Heinlein began writing it.  The turbulent 1960s proved tailor-made for the novel.  Its impact on our popular culture can’t be quantifiably measured except perhaps in the realm of furniture:  water beds, which appeared on the market in the real world in 1968, were first described in Heinlein’s novel…

Robert Heinlein, L Sprague de Camp, and Isaac Asimov (from
left to right in photo), three of  the science fiction genre's
"giants" worked together at the Philadelphia Navy Yard during
World War II.  Conspiracy buffs will recall the facility as the
site of an alleged time travel experiment gone horribly awry.
 
But Stranger in a Strange Land practically demands that we adopt a new world view and it provided concepts which found their way into popular television series like Star Trek.  Its questioning of "The Establishment" turned the novel into a manifesto of sorts for the hippie movement thanks to its themes of suspicion of government, big business, and organized religion at the same time it advocates sexual and personal freedom…   

Its influence on the counter-culture encouraged the growth of the neo-pagan movement to some extent.  One group known as The Church of All Worlds, or CAW, took its name from the faith promulgated by Valentine Michael Smith…

Cover of handbook used by a neo-pagan
group inspired by the ideas in Robert
Heinlein's Stranger in a Strange Land
 
[CAW has a following that may be in the neighborhood of 20,000 people with about 5% of that number living in the San Francisco area where Oberon G’Zell founded the group after reading Stranger in a Strange Land.  Although Robert Heinlein was never a formal member of CAW, he encouraged its leaders with letters of support and even purchased a subscription to The Green Egg, the church’s magazine.

Oberon G'Zell and Morning Glory, founders of CAW
Interviewed for People of the Earth: The New Pagans Speak Out (Ellen Evert Hopman and Lawrence Bond, Destiny Books, Rochester Vermont, 1995), G’Zell commented CAW began as a “water brotherhood” which was extremely selective about who could be admitted to celebrate rites inspired by Stranger.  After five years and acquisition of roughly a hundred members, G’Zell and his wife Morning Glory decided to incorporate as a church since that seemed the best way to spread the message.]

While Stranger in a Strange Land is among the books in Gina McKinnon’s guide to cult classics that I’ve personally read, I must confess that it has not proved a central part of my way of thinking or outlook on life.  It’s a novel worth reading and its ideas should be considered seriously.  But Heinlein’s writing style just doesn’t grab my soul…

More to my liking is Raymond Chandler’s The Long Goodbye which features the world-weary private eye Philip Marlowe on yet another quest to find the answer to why people do the evil things they do…

Critics, being the contrary lot they are, are of mixed opinions when it comes to The Long Goodbye.  Some consider it Chandler at his finest, others dismiss it as inferior when it’s compared to his The Big Sleep.  The author seems to have agreed with the first batch, writing to a friend that it was his best work…

First Edition cover for Raymond Chandler's
The Long Good-Bye (1953)
 
Philip Marlowe’s travails in this story begin one night when he meets a drunk named Terry Lennox seated behind the wheel of Rolls Royce Silver Wraith at The Dancers, a club on the outskirts of Los Angeles.  Lennox’ companion is a girl whose hair was a lovely shade of dark red.  She wore a distant smile on her lips and “over her shoulders she had a blue mink that almost made the Rolls Royce look just like another automobile”…

Now, as any automobile aficionado can attest, ain’t nothin’ can make a Rolls look like just another car.  Not even a gorgeous doll with a distant smile and a blue mink…

Terry Lennox and Marlowe chat briefly at The Dancers and Marlowe thinks nothing more about him until Lennox comes to the detective’s office several months later.  He needs to get to Tijuana…

Screen tough-guy Robert Mitchum portrayed Philip Marlowe,
Raymond Chandler's world-weary private eye, in two film
adaptations of Chandler's novels.  Chandler became a full time
mystery novelist after he lost his job as an oil industry executive
due to his alcoholism, flings with female employees, and chronic
absenteeism from work. 
 
Good detectives know to agree to such requests ONLY if the man to whom they are giving a ride promises to say nothing about WHY he needs a ride.  Marlowe asks no questions and Lennox volunteers no information…

When he returns from the border town, Marlowe learns what he didn’t want to know: Mrs Terry Lennox is dead, the victim of murder.  The cops won’t be able to get a whole lot of answers from Mr Terry Lennox.  It appears he’s committed suicide down Mexico way shortly after Marlowe dropped him off at the airport.  Guilt can cause a person to do that sort of thing…

Philip Marlowe won’t be mistaken for Albert Einstein anytime soon, pal, but he’s smart enough to know that sometimes a man doesn’t begin to cause trouble until he’s dead… 

    


Kenneth Anger, underground film maker and
Aleister Crowley devotee, published Hollywood
Babylon in 1965.  The peek through the keyhole
look at Tinseltown scandals was promptly banned
and not republished until 1975.
 
 

THE MARKETPLACE

An easy and inexpensive way to build a collection of work by today's finest painters, sculptors, and photographers-- Greeting cards from Fine Art America.  Easier still: just browse the Louis R Nugent gallery at Fine Art America.  Choose from hundreds of unique ideas for home and office decor or holiday and birthday cards for yourself or that special someone.  Individual cards cost less than $5.  Wall prints start at only $22.
Louis Nugent: In Valleys of Lilies we shall rest
 
http://louis-nugent.artistwebsites.com/

We’re also on Facebook:  Louis R Nugent Photography on Facebook @ louisnugent22.


Other Fine Art America sites for discriminating collectors:
http://fineartamerica.com/groups/west-texas.html

http://fineartamerica.com/groups/art-inspired-by-art.html

http://fineartamerica.com/groups/4-abstract.html


CREDITS

Note: Information for this essay is taken primarily from readily available sources such as Encyclopedia Britannica, Wikipedia, and almanacs.  When other sources are employed they are credited either in the text or as follows:  None. All photographs are taken from Wikipedia or Google Images without source or authorship credits available, except as noted: None.

 

 

Thursday, June 20, 2013

As Summer Approaches

We've had more rain than usual for June in the western Concho Valley and that means flowers that don't normally appear at this time of year.  My camera and I have been out capturing as many of them as possible.  Unfortunately, that leaves little time for research and essay composition.  Back next week...

Thursday, June 13, 2013


Movie Poster Art: Five From The American Film Institute’s Top Ten


In 1998, the American Film Institute surveyed 1500 leaders in America’s motion picture industry-- directors, actors, critics, screenwriters, producers, historians-- to ask their help in listing the 100 Greatest American Movies of all time.  Films receiving the most votes were (in order): Citizen Kane, Casablanca, The Godfather, Gone With The Wind, Lawrence Of Arabia, The Wizard Of Oz, The Graduate, On The Waterfront, Schindler’s List, and Singin’ In The Rain

 

Citizen Kane, 1941, Director: Orson Welles



“I run a couple of newspapers.  What do you do?”

 

Casablanca, 1942, Director: Michael Curtiz



It is perhaps a strange circumstance that we both should be in love with the same woman. The first evening I came to this café, I knew there was something between you and Ilsa. Since no one is to blame, I - I demand no explanation. I ask only one thing. You won't give me the letters of transit: all right, but I want my wife to be safe. I ask you as a favor, to use the letters to take her away from Casablanca.”

 

The Godfather, 1972, Director: Frances Ford Coppola



“Mr Corleone never asks a second favor once he’s refused the first, understood?” 

 

The Graduate, 1967, Director: Mike Nichols



“Benjamin, I am not trying to seduce you... Would you like me to seduce you?" 

 

On The Waterfront. 1954, Director: Elia Kazan



“You don’t understand.  I coulda had class.  I coulda been a contender, I coulda been somebody, instead of a bum, which is what I am…” 

 

THE MARKETPLACE

An easy and inexpensive way to build a collection of work by today's finest painters, sculptors, and photographers-- Greeting cards from Fine Art America.  Easier still: just browse the Louis R Nugent gallery at Fine Art America.  Choose from hundreds of unique ideas for home and office decor or holiday and birthday cards for yourself or that special someone.  Individual cards cost less than $5.  Wall prints start at only $22.
 

http://louis-nugent.artistwebsites.com/

Louis R Nugent Photography on Facebook @ louisnugent22.


Other Fine Art America sites for discriminating collectors:
http://fineartamerica.com/groups/west-texas.html

http://fineartamerica.com/groups/art-inspired-by-art.html

http://fineartamerica.com/groups/4-abstract.html

 

CREDITS

Note: Information for this essay is taken primarily from readily available sources such as Encyclopedia Britannica, Wikipedia, and almanacs.  When other sources are employed they are credited either in the text or as follows:  production and data film quotes from Internet Movie Database entries for Citizen Kane, Casablanca, The Godfather, The Graduate, and On the Waterfront. All photographs are taken from Wikipedia or Google Images without source or authorship credits available, except as noted: None.

Thursday, June 6, 2013

Rains and Flowers

This is the time of year when this part of the desert normally receives occasional storms.  Our dryland plants blossom briefly.  We've had several rains recently and this means I step away from researching topics and writing essays.  You'll find me hiking and driving down backroads, camera in hand, for the next week or so, hoping to catch the blooms...

Thursday, May 30, 2013


The Seven Deadly Sins of George Barbier

Lust, Gluttony, Avarice, Sloth, Wrath, Envy, Pride…

 
Seven in number are the deadly sins.  They are so named because, according to some theologians, these particular traits are the fountainheads which lead men and women to do even more wicked deeds.  Our current list dates to Gregory I, a Sixth Century pope who revised an earlier compilation of eight fatal human flaws listed by a monk who lived two centuries earlier…

 
Perhaps the writer of Proverbs (traditionally said to be King Solomon) had less hope for humanity than did medieval poets like Dante who cataloged the nightmarish fates of those prone to the seven deadly sins when he took his readers on a tour of the Inferno.  (Those souls with unforgiven lust, he tells us, are blown about in never-ending winds to remind them of their failure to control their odd desires).  The Lord hates six things, says the writer of Proverbs: a proud look, a lying tongue, hands that shed blood, hearts given to wicked plots, feet ready to trot through fields of mischief, and perjurers.  There is yet a seventh thing and it is a thing which God truly detests— a man who stirs up anger in others…


Art and Religion have been married for a long time.  Paintings on cave walls at Lascaux in southwestern France have been date to an age in excess of 17,000 years.  A number of scholars believe these images have ritualistic or shamanic connections although this interpretation (or any other) will likely remain unproven.  Medieval European painters wed to the Church produced gruesome depictions of the fate awaiting sinners in the life after this one.  They became particularly adept at depicting the uncertainties of those who still drew breath in the aftermath of the Black Death to remind us, through memento mori, how quickly time carries joy to the grave…


Time also brings us to new views of art and its themes…

 
World War I in the second decade of the Twentieth Century bequeathed thinking men and women a legacy of carnage.  Some drifted in an existential world, becoming a Lost Generation in Gertrude Stein’s words.  Others had great faith in the future promised by technology.  Many of the latter embraced an artistic style that the architect Le Corbusier labeled Art Deco in 1925.  At that time, the movement was about five years old and it celebrated the symmetry and the straight lines of sleek machines…

 
One of the artists often associated with Art Deco is the highly versatile George Barbier, an illustrator and costume designer who exhibited regularly from 1910 until his death in 1932 at age 50.  Barbier’s strength as a commercial artist was his almost intuitive “feel” for the tastes of a particular periodical and his fluidity in adapting to readers’ tastes.  A true child of sophisticated Europe, Barbier could not resist updating classical mythical and religious themes from time to time.  Seven deadly sins caught his never jaded but ever decadent eye in 1925 at about the time Le Corbusier pinned a name to Art Deco…

 

THE MARKETPLACE


One easy and inexpensive way to build a collection of work by today's finest painters, sculptors, and photographers:  Greeting cards from Fine Art America. 

Easier still: browse the Louis R Nugent gallery at Fine Art America.  Choose from 250+ unique ideas for home and office decor or holiday and birthday cards for yourself or special someones who deserve something extraordinary.  Individual cards cost less than $5.  Wall prints from $22.
http://louis-nugent.artistwebsites.com/

 
Louis Nugent: Missing Man

Follow and Like Louis R Nugent Photography on Facebook @ louisnugent22.


Fine Art America now features painting, drawings, and photographs by 30 artists who celebrate majestic and uncompromising landscapes, settlements, people, plants, and flora and fauna scattered across the vast emptiness called West Texas and the American Southwest.
http://fineartamerica.com/groups/west-texas.html

 
Jeniffer Stapher-Thomas: Thunderhead

Fine Arts America now features work celebrating the mysterious and lovely Bayou State of Louisiana and its unique lifestyle:
http://fineartamerica.com/groups/cajun-country-louisiana.html

Susan Bordelon: Glass and Light
 
Fine Arts America now features work celebrating Art inspired by Art:
http://fineartamerica.com/groups/art-inspired-by-art.html

Elisheva Nesis: Trip for the Justice
 

CREDITS

Note: Information for this essay is taken primarily from readily available sources such as Encyclopedia Britannica, Wikipedia, and almanacs.  When other sources are employed they are credited either in the text or as follows: none. All photographs are taken from Wikipedia or Google Images without source or authorship credits available, except as noted: none.

Thursday, May 23, 2013

The Great Leap Forward

The process of loading files onto the new computer (mentioned in last week's update) is almost complete and most of the associated hardware is playing nicely with the software.  Here in the United States, we are on the cusp of Memorial Day Weekend-- the official "unofficial start of Summer"-- and ready to enjoy picnics and auto races and a day at the nearest lake.  Memorial Day is, however, a solemn day at its core.  The true meaning of the day comes with the quiet services held in graveyards and on courthouse lawns across the nation as we pause to think of the men and women in our uniformed services (and in the services of our allies) lost to the horror of war.  May it be our blessing to serve as the last generation to know armed conflict and the first to know peace...

LRNArts is poised to resume its regular publication schedule next week.  Following is a hint of things to come...

George Barbier: The Judgment of Paris, 1923

Thursday, May 16, 2013

A New Beginning...

This week's post is a quick hello to the regular readers of this blog and to any new visitors to the site.  I'm in the process of setting up files on a new computer-- a task that unfortunately limits the time available for research and collecting the pictures that accompany the blog's essays.  LRNArts will be back to its regular publishing schedule no later than June 1 and I'll leave the occasional note here to update you on our progress.  Wishing you all the best!